Retro Review: Crimson Glory, Transcendence

When the nightmares ensue,

all that you can do is

paint the sky another brighter

shade of blue....

Ok, its 2018. The 30th anniversary of one of the greatest and most under rated albums from one of the greatest and most under rated metal bands of all time...Possibly THE most under rated. Of course, I'm talking about Crimson Glory and Transcendence. I've seen several other bloggers review it, so I figured I might as well too. Crimson Glory is one of my all time favorite bands, and Midnight is my all time favorite singer.

I remember the first time I heard them. They had released a self titled debut album, but I hadn't heard anything off it. A friend of mine was wearing a Crimson Glory T-Shirt, and I asked him who they were. He told me to come sit in his car. The tape was already in his player, and he had been wearing it out. The song, Painted Skies was just ending, and Masque of the Red Death was about to begin. When the abrupt punch of that song's intro blasted through the speakers, I was blown away. I loved the sleek and sharp blistering guitar leads of Jon Drenning, as they made way for Midnight's opening vocals. "The pain lingers on beyond these castle walls...The red death is taking them all...While the king and his court dance the night away at the masquerade..The hour of Midnight grows near..." I had goosebumps. I asked him to rewind it, but he said no, and played Eternal World. My reaction? Astonishment. Speed metal never sounded so good, and Midnight's vocal range was something I had never heard before. I told him not to play anymore, and later that day, I went and bought a copy of my own. 

That album is a slam dunk. There's not a bad song on it, and if the Metal Gods had smiled on Crimson Glory, Painted Skies would have been (recognized in the mainstream as) one of the greatest metal ballads of all time. Same with Burning Bridges, but that song is more epic in length and content, and wouldn't have been given radio play unless they chopped it up and shortened it which would have been a crime.

You've heard people rant and rave about the production quality of Metallica's Black album or Motley Crue's Dr. Feelgood? This album deserves to be in the discussion as the best. For example, I've honestly never heard drums sound like that before. They sound raw and live, yet also sound like they were done in the studio. You can also clearly hear the cymbals on this album, which is something that I can't recall where I've heard them in other songs. And of course the guitars and bass. You hear one lick from this album, and you'll know its them. Lots of work and money went into the making of this masterpiece.

Transcendence literally has everything that was popular at the time. Commercial appeal (although it was never a cheesy love ballad) in Lonely and Painted Skies, speed metal in Eternal World and Masque of the Red Death, a blast of thrash metal in Red Sharks (another stratosphere piercing offering from Midnight) Gothic metal with Where Dragons Rule (I'm sure there's a D&D dungeon master somewhere who plays that song each time his group starts a session) Power metal in Lady of Winter, and slow and creeping haunting metal with In Dark Places. And last but not least, an acoustic creepy feeling title track that made me feel like I was being watched the first time I heard it. This band literally put the metal world on notice with this album that they could do anything, and rule at it.

Unfortunately, we all know what happened next. The band signed with Atlantic Records, who put out a lackluster album, Strange and Beautiful that failed miserably to live up to its predecessor, in terms of song quality, and production.  Midnight left, and singer Wade Black, an extremely gifted singer joined to release the album, Astronomica. While better than Strange and Beautiful, it also failed to live up to Transcendence, and Black was eventually replaced with Todd La Torre, who is honestly the only singer I've heard that can capture every vocal nuance of Midnight's voice, and do the songs their well deserved justice. Unfortunately, the band wasn't ready to work, so La Torre left them to do the same for Queensryche. He's successfully replaced not one, but TWO metal legends. There's nobody else who can say that. Anywhere.

Todd LaTorre with Crimson Glory

So, give this album a listen if you haven't heard it. You'll thank me. And, if you have heard it, give it another listen. Tell a friend about them. I've told quite a few people who hadn't heard them about them, and their reaction was similar to mine. One guy just shook his head, and said "Its a damn shame that nobody knows this incredible band. Nobody knows the bass player's or the drummer or guitarists name." I replied "You do now, and so do all of their fans, and their cult fanbase keeps growing." 

Jeff Lords, Jon Drenning, Midnight, Ben Jackson, Dana Burnell

That's all I got for now. Writing this took my mind off this damn flu for an hour or so. Until next time, turn it up to 11!

. 

Who Dat? The Replacement Singers

Who Dat?

As the legendary bands age, members come and go. Some die, some get fired, some quit. But just because an original member isn't in the band anymore, is it still the same band? Should the band call it quits because the original bass player quit? Hell, should the band hang it up if the singer or guitarist quits? Gets fired? Dies? I got into a discussion with a good friend of mine a couple days ago, and we disagreed on the subject. He was saying that if the original lineup wasn't there, it was nothing more than a cover band. I maintained that it depends on the situation. Bands like Molly Hatchet, who have a lineup that features not one single original member are cover bands. Or, Bobby Blotzer, formerly of Ratt suing the original lineup for the name, where  he would be the only original  member. However, a band like Queensryche is still the band. 3/5 of the original lineup are still there. We're going to talk about several bands in this piece, and explore the fan's reaction to the new members. Since I've already mentioned Queensryhe, we'll start with them.

Queensryche's original lineup released their first 6 albums together. The first member to depart was guitarist, Chris DeGarmo, who left the band to pursue a career as an airline pilot. Many people considered the band to be dead when he left. Since his departure, they had 2 replacement guitarists, neither of who captured the essence of DeGarmo's playing. However, the third time is the charm in this case. Current guitarist, Parker Lundgren does the best job out of the three of them at matching the style of DeGarmo. And, he's been on more Queensryche albums than the other two guitarists, including the 2 released with replacement singer, Todd LaTorre. (Both albums charted in the top 30, which had not happened in a long time) LaTorre who replaced singer, Geoff Tate after his firing as mostly accepted by the fans, although you'd never know it if you look at social media, where supporters of Geoff Tate rattle off the same tired dribble like "No Tate, no Queensryche!" over and over again. Although they never seem to dispute the counter arguments that say that Tate can't even sing the songs anymore for some reason. The song writing is back to the style that the fans wanted, which is the classic power metal that made the band famous in the first place.

Todd LaTorre of Queensryche

Next, we'll take a look at a replacement singer who was hated by the fans. Blaze Bayley of Iron Maiden. And, before you start sending me messages and comments, Yes, I know that Bruce Dickinson was also a replacement singer. We aren't talking about Bruce. Not to mention, he's back in the band, and has been for a long time, so its a non issue. Blaze had a rough time as Maiden's singer. All that really needs to be said is that the fans hated him, and they hated the 2 albums that he sang on. But, finally, Bruce came back on 2000's Brave New World, and the fans rejoiced.

Blaze Bayley with Iron Maiden

Next, we're going to talk about another group of metal gods, who are none other than the Metal Gods themselves. Judas Priest. When Rob Halford left the band to pursue a solo career, the fans were angry. But, a few years later, the band found Tim 'Ripper' Owens, who sounded just like Halford.  His first album with Priest, Jugulator was released with a mix of criticism and praise. Most fans liked the album, but there were some detractors who complained that it was too heavy. I've always maintained that if you read the album credits in Jugulator, you will see Halford's name listed in about half the songs. Jugulator was going to be the next Priest album with or without Halford. But, the next album, Demolition, a lot the praise for Ripper had gone away. Although it was a great metal album, it didn't sound like Priest, and many fans believed that it was time for Ripper to go. And, he did, and has had a pretty successful career. 

Tim 'Ripper' Owens with Judas Priest

And last, but not least, we're going to talk about the most successful replacement singer of all time...well, recent time, anyway, since Brian Johnson of AC/DC, who is the most successful replacement singer of all time is not with them anymore. Plus, he's a lot like Bruce Dickinson. He is a replacement singer, but the band got gi-normous once he came in. No, we're going to talk about Arnel Pineda of Journey. You all know his story. Guitarist, Neal Schon found him on YouTube, a singer in the Philippines, playing in cover bands, in crappy bars. They had tried to bring other singers, but were unsuccessful. But, once Pineda came in, Journey found themselves selling out arenas and stadiums once again. Having a singer who launches himself through the air like a young David Lee Roth certainly doesn't hurt. But, while there are detractors and purists for all of these singers, Pineda, I would say has had the most success. Sure, there are people who would rather have Steve Perry back in Journey, but I'm not one of them...And, neither is Steve Perry!

Perry and Pineda. Respect.

So, in conclusion, you simply aren't going to be able to please everyone. I don't think that just because an original singer goes away for whatever reason that the band simply becomes a cover band, or a 'Fake-Ryche' or 'Mock Up Priest,' or 'Iron Rip-Off' or whatever creative name that the detractors came up with. The band members want to continue to tour, and make albums, and the fans still want to see them. So, why should they quit? If you ask me, they shouldn't.

.

Arnel Pineda with journey

However, Bobby Blotzer needs to give it up! 

Queensryche: Condition Human, Album Review

Evolution Calling!

Truth.

In 2013, Queensryche fans got what they were hoping for. A return to form album from one of the pioneers of progressive metal. Their self titled album was just what Doctor X ordered. Seems he delivered the cure after all. Although the album wasn't progressive metal, it was better than anything released after Promised Land. It was even better than Empire. The band needed to get an album out fast, and they did; And, the fans rewarded them for it with a #23 debut on the charts. For the first time in years, the band was working cohesively as a unit, and it showed. That all being said, the fans were left wondering if the band could evolve into something much better, and get back to their true progressive roots, without sounding like simple rehash of classic albums.

Lets just get that out of the way right now. They did, and on a grand scale. Condition Human seems to be the natural evolution that the band should have taken years ago after Promised Land, rather than venturing into the realms of grunge and even adult contemporary. However, the band got rid of the main problem, released the self titled album, toured extensively, and got to know each other musically once again, along with the new members. Then, they produced this juggernaut. Once again, just what Doctor X ordered. Double time.

Todd LaTorre

The first thing you'll notice is the incredible vocal range of Todd LaTorre. Something that was mostly absent in the songs from the previous album. He did after all replace Midnight of Crimson Glory, so you knew it was there. He leads the songs effortlessly, piercing the stratosphere, dipping low, and everything in between. Also, the vocal harmony is every bit as good it was in the first albums. Backed up by Eddie Jackson and Parker Lundgren, the vocals are a fine tuned instrument on their own in every song. 

Parker Lundgren and Michael Wilton

The next thing you'll notice is the great guitar work. Queensryche has always been known for great guitar solos, twin axe harmony solos, which are the perfection you'd expect. Parker Lundgren has much more duties in the lead guitar department than on the previous album, and executes flawlessly. Michael Wilton is great as always. This is a unit equal to Priest and Maiden in talent. Check out track 10, All There Was. One thing that is different though is the rhythm guitar. Its a monster all its own. There is mauling rhythm guitar in all the songs, but specifically, the rhythm guitar in Guardian, Toxic Remedy, and Hellfire is a step up in Queensryche music. Think the skill and precision of The Needle Lies, except throughout the entire song.

Eddie Jackson and Scott Rockenfield

And the last thing you'll notice, but certainly not the least thing  is the rhythm section of Eddie Jackson and Scott Rockenfield. This has always been a unit in beast mode, but the work produced in this album is nothing short of incredible. Scott Rockenfield is one of the all time great drummers of heavy metal, but he does things in this album that defy logic. Eddie Jackson is one of the most solid bass players to play in a metal band. The two join together to form a deep and powerful assault on the foundation of the building you're jamming the album in.

Now, lets get into the music itself. One question I've been asked is "Does it sound like Mindcrime or Rage for Order? What album does it sound like?" Well, it does sound like a Queensryche album. It sounds exactly like Condition Human. And, isn't that what we all wanted? Yes, there are songs that could have fit on previous albums, like the title track COULD have been on Mindcrime, and there are several songs that COULD have been on Rage or Promised Land, but Condition Human sounds like its own creation. Modern Queensryche with deep rooted influences that prove that they are still very much the band we all know and love from years back.

There are songs that have the progressive/mature feel of Promised Land. Songs that have the deep and dark technical aspects of Rage and Mindcrime. There is even a hint of Crimson Glory influence no doubt because of Todd  LaTorre writing with the band. But just because there is influence doesn't mean that it sounds just like anything else. One thing you will NOT find here is a song that is centered around a riff from a song off a classic album, played a little faster with new lyrics.

Condition Human is proof that things get better with age. I would definitely put this in the band's top three, and maybe best overall. You decide! You will not be disappointed! 

Its available on Google Play, Amazon, Best Buy, Itunes, Walmart, FYE, and anywhere else you can buy music. If you haven't gotten it yet, get it THIS WEEK, so we can chart this bad boy!

And PS, if you're in Queensryche or a member of their management, we really need to get the band on my radio show. ;)

TNT Found Active on Skid Row

I really don't get it. All the hatred that comes from "fans" of rock/ metal singers when the band dares to replace a singer. We went through it when Todd La Torre replaced Geoff Tate in Queensryche, when Ripper Owens replaced Rob Halford in Judas Priest, and when Blayze Bayley replaced Bruce Dickinson in Iron Maiden. There are others which we will get to shortly, but now, we are going to focus on the current situation.

The current situation is of course, Tony Harnell of TNT replacing NOT Sebastian Bach of Skid Row, but Johnny Solinger of Skid Row. But, if you read over the comments on Blabbermouth's Facebook page. you'd swear that Skid Row with Sebastian Bach had been a united force releasing hits and packing stadiums since the 80's, and that the band had just replaced Bach out of the blue. That isn't the case. Not even close.

Its 18. As in the number
of years Solinger was in
Skid Row.

Skid Row and Sebastian Bach parted ways in 1996, and have had (NOT counting Tony Harnell) not one, but TWO singers since Bach. Johnny Solinger has been Skid Row's singer for almost TWENTY YEARS which is almost double the amount of time that Bach was the singer,

One of the most prevalent comments I've seen is about the newly released re recording of the Skid Row hit, 18 and Life with Tony Harnell on vocals. These people somehow think that the recording is a slap in the face to Sebastian Bach. It isn't. Its simply a preview of what is coming from the band, The band understands that releasing a classic hit would reach more people than it would if they had re recorded one of the songs from any of their albums with Solinger. Really. That's all it is. A preview, and a damn good one at that. The band is not going to re record the first two albums. Tony Harnell not only hit all of the notes in that song, he nailed them. That's the best that song has sounded since it was originally recorded. Sebastian Bach is a great studio singer, but he was nowhere near as good live than he was in the studio. Another fact that is lost on some of these people is that Harnell was announced as the singer 2 weeks ago, and the band has already clicked with him well enough to record this song.

Harnell

Bach

Click this link. Its a live performance of Sebastian Bach while with Skid Row.(In the 80's.) Now, click this link. Its a performance of Tony Harnell that was done last year with TNT. At 50 years old, Harnell sounds better live than Bach did when he was in his 20's. There, I said it. Nothing against Bach at all. He has always been and always will be one of my favorite singers. But so is Harnell.

This move also is not like Owens, La Torre, or Bayley replacing the singers in Priest, Queensryche, and Maiden. Its much different. Its more like Ronnie James Dio replacing Ozzy in Black Sabbath than anything. Harnell is a well known and respected singer. The aforementioned singers were relative unknowns for the most part.

Truth

Its really as simple as this: Sebastian Bach and Skid Row will never reunite. To expect them to hang it up just because Bach (who is NOT even the original singer) is stupid and delusional. If you like Skid Row, they finally have a singer who can not only nail the notes, but is a class act. Go see them, and buy the albums. Or, don't. But to trash and insult the band is stupid. To say that Tony Harnell sucks is idiotic, and shows ignorance on an epic scale. The band knows better what is best for them than their so called fans who apparently didn't even know that Bach has been gone for years. To expect them to simply change the name is even more ignorant. The band owns the name, so why should they?

I guess another situation you could compare this to would be when Van Halen brought in Sammy Hagar. Everyone was screaming about how horrible it was. Then, after a couple decades, they brought back David Lee Roth, and the same people are bitching about that. Maybe these people need to just let the band do what they need to do. Van Halen proves that no matter what a band does, the fans are never going to be satisfied as long as it doesn't sound exactly like it did back in the glory days.

We brought Dave back!
What more do you want???

People need to stop living in the past, and accept what is in front of them, or just be happy listening to the old music.

There Can Be Only One!! (Queensryche)

I've detailed the entire Queensryche controversy in the early days of  this blog, and now that its over, it seems only fitting that I go over the conclusion here too. Yep! Its over. The band with Todd LaTorre, Parker Lundgren, Michael Wilton, Eddie Jackson, and Scott Rockenfield is Queensryche! Geoff Tate will have to call his band something else. Its official! The dust is still settling, but the paths for each party have been laid out, and it was done by agreement, rather than a nasty court trial. Both sides are apparently happy with the settlement.

Also, from this point on, when I mention 'Queensryche,' I will be referring to Queensryche, and not Geoff Tate and his band. (I always did mean that, but I just had to clarify.)

There can be only ONE!!!

But honestly, the proof was in the print. Queensryche's self titled album shattered Tate's Frequency Unknown in sales. It sold more in the first month than Frequency Unknown did to DATE. It has also outsold the American Soldier  and Dedicated to Chaos albums to date. Also, Queensryche's self titled album (QRST?) received rave reviews constantly, (here is mine) while not one person seemed to have anything nice to say about Frequency Unknown. I sure didn't. But, that fact is once again backed up by the record sales. It all boiled down to the fact that the band was listening to what the loyal fans were saying, and decided to go back to making the music that put Queensryche on the map in the first place. Tate was wanting to make some 'weird electronic progressive rock band thing', and the fans weren't having it. Hence the sales of Dedicated to Chaos. A line in the sand was drawn, and both sides agreed that there could be only ONE Queensryche, and ultimately, there is one, the only one Queensryche until kingdom come, who claimed the prize!

This was the best performance of Mindcrime, and the
only one I need to see.

Basically, the stipulations are this: Queensryche gets the name, and the rights to perform all the songs from all the albums, however, Geoff Tate is allowed to perform Operation: Mindcrime I&II in their entirety for such performances. That has confused lots of fans, and it will be clarified when the band makes its press conference in a few days. What it means is that while the band can preform any song they want from the Mindcrime albums,  they cannot do a tour playing the album(s) in their entirety. If they want to play all the songs on Mindcrime except for say...the short song intros to other songs, and Suite Sister Mary, they can do that. Its a lot like the settlement between Pink Floyd and Roger Waters. Personally, I am okay with this. Geoff Tate has ran Mindcrime into the ground over the past 2 years with his merry band of misfit performers. I really don't want to see it performed in its entirety. Besides, I saw it performed to perfection on the Empire tour with all 5 original members in one of the most amazing concerts I've ever seen. That's something you really only need to see once in a lifetime in my opinion. Plus, I own Operation: Livecrime. Also, Geoff Tate gets to do a farewell tour under the Queensryche banner this summer. I would imagine that it will be billed as Geoff Tate's Queensryche, but after that, he will have to call his band something else.

I have no earthly idea!

Now, as I eagerly wait for the next Queensryche album, there are a few things that I'm wondering. One, What will happen to Frequency Unknown? Will future copies of that album still bear the Queensryche name? It shouldn't really matter though. Its not like that album is having to be reprinted or anything. I'm just wondering if I should buy another copy in case it becomes a collectors item sometime in the future. (I trashed the copy that I reviewed)  Two, After Geoff Tate's farewell tour, what will he be playing live? His solo albums including Frequency Unknown? (He didn't like playing things off that album to begin with...and I don't blame him. lol)  Three, Since Queensryche has the rights to perform the songs from the Tateryche albums (Hear in the Now Frontier, Tribe, Q2K, OMII, American Soldier, and Dedicated to Chaos) will they allow Tate to perform those? I seriously doubt they will be performing any songs from those albums. Also, I gotta admit that I was slightly intrigued with Tate's performance of Lola on that morning news show in Seattle, with Vaudeville. If he was to tour doing that, I MIGHT go see it, as long as it isn't called Queensryche. It was interesting, and the blonde on the left was ridiculously smoking hot.

Queensryche: Michael Wilton, Eddie Jackson, Todd LaTorre,
Parker Lundgren, Scott Rockenfield. Its OFFICIAL!

Anyway, in closing, I just want to say congratulations to the one and only Queensryche, and I am looking forward to the future of this great band. I have high hopes because the band has said in interviews that the new songs they are writing are HEAVY! That is the word that every fan has been dying to hear 'spoken' from the band for years. The future of Queensryche is bright in the hands of Todd LaTorre, Eddie Jackson, Michael Wilton, Scott Rockenfield, and Parker Lundgren. The self titled album was great. Now, its time for the masterpiece.

Now that its all over, I think of the band I grew up with, and.......

....I remember now.

Queensryche Self Titled Album Review

....A revolution in disguise,

Mesmerized by shadows.....

Nope. Its not disguised at all. It is on display in plain view, for all to see. The revolution is calling, and the word has been spoken. The word is not Mindcrime; However it IS Vindication and Redemption. And, the words it would seem are all of us! Queensryche is BACK! Scott Rockenfield, Michael Wilton, Eddie Jackson, along with guitarist Parker Lundgren and new singer, Todd LaTorre. 

I was blown away by the 3 new tracks that Queensryche released. Redemption, Where Dreams Go To Die, and Fallout were easily the best songs that the band has put out in a VERY long time. I kept reading reviews by people who had heard the whole album, but I was still skeptical. Can you blame me? The last Queensryche album that I liked was Promised Land. Sure, I was skeptical, but that didn't stop me from pre ordering the new album, and I was counting the days until my copy of the answer to my prayers to the Metal Gods would be delivered to my door.

Well, I didn't get my copy today. This morning, I was eating my breakfast and looking over the news and Facebook as I usually do, and I saw that Queensryche had put a stream of the entire album on their website.   At first, I was going to avoid listening to it. I had avoided the 90 second samples that the band had released, and I wanted to wait until the CD was delivered to my door before I listened to the whole thing. But, I kept reading the comments on the band's Facebook page from people who had listened to the whole thing, and I caved. I have no will power apparently. I listened. Several times, and I'm glad I did. 

Many reviewers have stated that this album is the best since Promised Land or Empire. I am going to take a controversial standpoint and say that this is the best Queensryche album since Promised Land, but is better than Empire. Yeah, I know I'm going to take some heat for saying this, but hear me out. 

I like Empire and Promised Land alot, which is more than I can say for anything released after that. But, in my opinion, Empire was the start of the downward spiral. Empire was the first album that Queensryche put out with  'filler songs.' We had great songs like Empire, Resistance, Best I Can, Anybody Listening, etc. But, we also had Della Brown (which was the first of many cigar bar type power ballads that came later) One and Only, and of course, Silent Lucidity. I NEVER liked those songs, and while Promised Land was a good album, it had a couple more of the cigar bar power ballads. The new album has NO filler songs, and definitely no cigar bar songs. No disrespect whatsoever is intended toward the band regarding the 'cigar bar' songs. 

Now, fast forward about 20 years, and Queensryche has a new singer, and have released a new album. I've already given my opinion on it, but let's review each song. Ready? Here we go!

-Track 1, X2...I was kind of expecting something similar to the Mindcrime intro, Anarchy X. I was blown away when I heard the track. It sounds nothing like Anarchy X. What it sounds like is the music behind a sci fi action film's trailer. You know, one of those trailers that has little or no words, but kick ass music with scenes from the movie? I was envisioning the trailer to Star Trek: Into Darkness when I heard this. I also heard some of the computer mechanical sounds used in NM 156. Its deep, its dark, and, it leads into...

-Track 2, Where Dreams Go To Die...This was my favorite song of the three they released. Its deep, its brutal, and it is Queensryche. But, it is really heavier than anything they put out to date. It starts slow, but punches you in the stomach. This..and all of the songs have the classic trademark vocal harmonies, and the twin guitar attack, which was missing from QR for a long time. But, like I said, this song is brutal. It was written by guitarist, Parker Lundgren, who is airing out some personal issues. He does it VERY well, and I hope he never writes a song about me. However, the fact that his song was chosen to be the first song on the album speaks volumes of the band's respect for him. 

-Track 3, Spore...Starts off with a very gritty and dirty sounding guitar riff, and goes into an anthem of sorts. Great vocal harmonies throughout the song are complimented by a guitar lead following along through most of it. Its bold and in your face chorus is a welcome return to form for the band. Eddie Jackson is beating his bass with a telephone pole in this song...Something else that was a QR trademark that was lost over the years. Also, my favorite song on the album.

-Track 4, In This Light...Its a completely different song, but the opening lick in this song kind of reminds me of Speak. Its an up tempo ballad, with a rhythm section that probably registers on the Richter Scale. A sentimental yet powerful chorus filled with vocal harmony. But surprisingly, the thing that stands out the most (and no one has ever said this before) is the rhythm guitar behind the solo. I'm sure this was intentional.

-Track 5, Redemption...This was the first song the band released. The song that told the QR fans that their favorite band was back. The rhythm section is also prominent in this song, along with driving guitar riffs, a chorus that hits on all cylinders, and is also a return to the semi political lyrical content that QR was so into back in the day.

-Track 6, Vindication...I think someone told Scott Rockenfield that he couldn't play fast anymore, and he proved them wrong. The drums take you back to The Needle Lies, but on top of the speed, he channeled his inner Neil Peart and boosted the speed. He is all over the place on this song. The verses are dark and moody, but the chorus is happy sounding. Have you ever been wronged, and vindicated? The feel of this song illustrates this. You're pissed off, but when things go your way, you're on top of the world. Very fitting.

-Track 7, Midnight Lullabye... Creepy into to the next song. 'Damien the Omen' creepy. I have a song that I co-wrote with a former drummer called Twisted Lullabye. I wonder how much the band would charge me in royalty fees to record that as the intro to our song. It fits!

-Track 8, A World Without... A dark, and heavy song that is as creepy as it is awesome. Would make a good soundtrack song for a post apocalyptic horror movie...But no zombies because they have been done to death! And, did I hear Pamela Moore?

-Track 9, Don't Look Back... An orgy of eargasams from every band member. Plus, Todd LaTorre reminds us all that he was the singer of Crimson Glory when he hits a note higher than anything I can remember from even the classic QR songs. The man nailed Red Sharks by CG for heaven's sake!

-Track 10, Fallout...Short and sweet, but fast and heavy enough to knock you through a wall. Its getting a little redundant to say that this song has great vocal and guitar harmony. All the songs do, and its awesome!

-Track 11, Open Road...A ballad that fits in with the classic ballads such as Anybody Listening, I Will Remember, I Dream in Infrared, and Someone Else. It also features some great vocal work by Todd LaTorre.

So, the band still had it in them after all these years. The fans wondering who this band was and when the band they loved would return can stop wondering. They are back. The album was produced perfectly, and patiently, and it paid off. Big time. The passion is back. The musicianship is back. Queensryche is back!

And, the passion of the fans is back. I'm almost 40, and I feel like a teenager again, waiting in anticipation for my favorite band's new album to come out. It may be because today's music simply can't hold a candle to what it once was. 

One thing that I want to say about Todd LaTorre...While he has a phenomenal vocal range, he does not force it on you like another replacement singer from several years ago. I think you know who I'm talking about. While I respect Ripper Owens, and he has become one of my favorite singers, he would force his range on you when it wasn't necessary. And, while Todd's voice is a perfect fit for the classic songs, he is not a clone, and he sounds like himself on the new album. 

This album is not a nostalgic trip down memory lane. It shows the natural progression that the band should have taken back in the day, but it also sounds modern. I imagine the band will gain scores of young metal fans with this album. It might even be a good idea for Queensryche to take an up and coming current metal band on tour with them to expose young fans to them.

We, as fans are lucky, because bands don't just regroup like this. As fans, we all wish they did, but it simply doesn't happen. Even Death Magnetic by Metallica is not the return to form that this album is. And, it was a total team effort with contributions from every band member. Something else that was lost post Promised Land, which contributed to the watering down of their sound.

People may still want to blast the band for not having Chris DeGarmo. Well, Hear and the Now Frontier and Tribe were both mainly he and Tate. And, both albums were seriously under par.